Superior time perception...ay down musical rhythms
نویسندگان
چکیده
Department of Psychology, Neuroscience and Behaviour, McMaster University, Hamilton, ON, Canada L8S 4K1; Martinos Center for Biomedical Imaging, Harvard Medical School/Massachusetts General Hospital, Boston, MA 02129; McMaster Institute for Music and the Mind, Hamilton, ON, Canada L8S 4K1; Department of Electrical and Computer Engineering, McMaster University, Hamilton, ON, Canada L8S 4K1; and Rotman Research Institute, Baycrest Hospital, Toronto, ON, Canada M6A 2E1
منابع مشابه
Perception of Rhythmic Similarity is Asymmetrical, and Is Influenced by Musical Training, Expressive Performance, and Musical Context
Rhythm is an essential part of the structure, behaviour, and aesthetics of music. However, the cognitive processing that underlies the perception of musical rhythm is not fully understood. In this study, we tested whether rhythm perception is influenced by three factors: musical training, the presence of expressive performance cues in human-performed music, and the broader musical context. We c...
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Humans are able to find and tap to the beat of musical rhythms varying in complexity from children's songs to modern jazz. Musical beat has no one-to-one relationship with auditory features-it is an abstract perceptual representation that emerges from the interaction between sensory cues and higher-level cognitive organization. Previous investigations have examined the neural basis of beat proc...
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Perception of a regular beat in music is inferred from different types of accents. For example, increases in loudness cause intensity accents, and the grouping of time intervals in a rhythm creates temporal accents. Accents are expected to occur on the beat: when accents are "missing" on the beat, the beat is more difficult to find. However, it is unclear whether accents occurring off the beat ...
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The ability to entrain movements to music is arguably universal, but it is unclear how specialized training may influence this. Previous research suggests that percussionists have superior temporal precision in perception and production tasks. Such superiority may be limited to temporal sequences that resemble real music or, alternatively, may generalize to musically implausible sequences. To t...
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This paper, directed at researchers in linguistics, introduces three key aspects of musical rhythm and time for their consideration: (1) the distinction between groups of durations (i.e., acoustical events in the world) and our endogenous sense of beats and beat cycles, that is, musical meter; (2) the active nature of rhythmic perception and cognition, which involves both innate and enculturate...
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